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I’ve been an Elvis fan for 10 years now, and I’ve seen most of his 60′s movies. For some reason I didn’t rent this one till recently- I contemplate it’s because I had it confused with “The Grief With Girls”, which I have no desire to sight. Anyway, we rented this because we saw it had “A Dinky Less Conversation” in it and liked it so great we ended up buying it.
Elvis plays Greg Nolan, a photographer who..ok, there’s not great of a set to characterize here. The storyline consists of a girl he meets who keeps changing her name (Bernice/Betty/Suzie/Alice) and personality, spending most of the movie alternately messing with Elvis’ mind and coming on to him. Meanwhile, Elvis gets two jobs for girlie-type magazines in the same building- one of them is called “Classic Cat Magazine” (or maybe it’s Classy Cat) being a photographer and pretends at both that he only works for that magazine, while he literally runs help and forth between the two jobs, changing clothes and trying not to have one boss get out about the other. Red West makes his usual cameo as a guy in a fight scene who Elvis ends up [fighting] (always fun to observe) .
This is a exquisite fun Elvis movie, and since it was filmed in ’68, true around the time Elvis did the comeback special, the King was in immense shape, looking glorious absorbing with his sideburns and tan. He also looks like he’s having fun, and doesn’t feel too tedious. “Spinout” is exciting, but half the time Elvis looks blooming discouraged. One of my Elvis trivia-type books said this movie has the distinction of being the only one he ever has sex in (offscreen, of course) but I deem the only plan you could state this is by him waking up in a girl’s bed. His co-star, who looks like a ghastly between Sharon Tate and how Liz Taylor looked in the 60′s, was kind of annoying (though not as abominable as some of the actresses he’s worked with, and at least she has a substantial wardrobe.) It was mainly the fact that she had this kind of whispery swear like Taylor. The clothes and hair are all really frigid.
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There are only 4 songs in the movie, but two of them are especially sterling. I loved “The Edge of Reality”-Elvis has this trippy dream because Bernice/Betty/Suzie/Alice has been messing with his mind so worthy. The song is spacious, and Elvis wears this tailored location of pajamas that inspect more like a blue sharkskin suit. I mediate whoever designed and choreographed the dream sequence might have paid a runt visit to Dr. Nick’s, if you know what I mean, but it’s ravishing chilly. The highlight of the movie for me was definitely “A Runt Less Conversation”, which Elvis sings to a hot babe at a swinging cocktail party as he’s getting her to leave with him. Perceive for the male red-haired go-go dancer that they pass who dances so furiously and wildly that his gyrations actually design him upstage Elvis for a few seconds, which is no minute feat. As he and the chick are leaving, they pass other go-go dancers, chase out the door of the wintry 60′s pad, and hop in Elvis’ Cadillac that the valets unbiased happened to have pulled up in front at that second, while Elvis smoothly never misses a beat and manages to earn the whole thing eye like he does it every night. Now THAT’S how you leave a party!
One of Elvis’ better flicks from the 60′s, and definitely my current movie of his to gawk from the unhurried 60′s.
This movie has it all — Michelle Carey, Elvis, changing times, psychedelic sequences (check out the “Edge of Reality” bit — the girls “morph” *years* before the technology was invented!), taboo subjects (sex, etc.), and the current version of “A Miniature Less Conversation.” It is a correct romantic comedy; had it never been made with Elvis, and had been shot this year with Ben Afleck and Cameraon Diaz, it would be a demolish hit! Actually, it was a fair enormous hit in its beget time, even though it was one of Elvis’s last three or four movies. This film needs to be released on DVD soon! Especially improbable is the widescreen version that airs on TNT every now and then. Michelle Carey was fantastic — I wish she was mild around. The songs are colossal (all 4 of them), and this movie, written by the same dude that wrote “Private Lessons” (1981), rises above the rest of the terrible schlock that Elvis concerned himself with for the majority of the sixties. Relax, check it out, and have a favorable time.
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